Writing Posthistorically: Krazy Kat, Maus, and the Contemporary Fiction Cartoon
Miles Orvell
American Literary History, Vol. 4, No. 1 (Spring, 1992), pp. 110-128
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/489940
Miles Orvell
American Literary History, Vol. 4, No. 1 (Spring, 1992), pp. 110-128
Published by: Oxford University Press
Stable URL: http://www.jstor.org/stable/489940
New Literary History, Vol. 21, No. 4, Papers from the Commonwealth Center for Literary and Cultural Change (Autumn, 1990), pp. 939-955
Published by: The Johns Hopkins University Press
Stable URL: http://www.jstor.org/stable/469193
Published by: The Johns Hopkins University Press
Stable URL: http://www.jstor.org/stable/469193
Budick, Emily Miller “Forced Confessions: The Case of Art Spiegelman’s Maus.” Prooftexts: A Journal of Jewish Literary History 21.3 (2001): 379-398. MLA International Bibliography. EBSCO. Web. 10 Nov. 2009.
I am certain, unless I completely alter my thesis, that these sources will play a vital role in my paper. The first and the third for their direct discussions of the stylistic and thematic analysis of Maus, and the second for its overall discussion on the duality and transcendent possibilities of fiction.
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